Theatrical makeup is the makeup used to help create the character appearance that the actor depicted during theater production.
Video Theatrical makeup
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In Greek and Roman theater, makeup is not necessary. The actors wear a variety of masks, allowing them to describe other sexes, ages, or a very different likeness. Thespis, considered the first actor, uses white tin and wine to paint his face. In medieval Europe, actors changed their appearance by painting their faces in different colors. The perpetrators who portray God paint their faces white or gold; the actors who play the angels paint their faces red. During the Renaissance, the actors were creative and a lot of sense when making their faces. They use sheep's wool for beards and fake flour as a face paint.
Advances in stage lighting technology required stage makeup to evolve beyond one whole face color to a multidimensional craft. Initially, the theater used candles and oil lamps; both of these light sources are dim and allow for rough and unrealistic makeup applications. After gas lighting, the limelight and electric light are introduced to the cinema, the need arises for new makeup materials and more skilled application techniques. In 1873, Ludwig Leichner, a Wagner opera singer, began commercially producing non-toxic greasepaint sticks, easing the makeup application.
Maps Theatrical makeup
Highlights and shadows
Through the use of makeup, especially highlighting and shadowing, the real shape of an actor's face can be changed. By highlighting the protruding bones of the face, the features become clear; shadowing cavities can add depth. Jaw constraints, forehead wrinkles, eye bags, and prominent veins can be created by manipulating highlights and shadows. Spotlight is a basic makeup that has at least two gradations brighter than the base. It is applied to the bridge of the nose, cheekbones, and the area under the eyes and under the eyebrow. Using deeper two-color colors from the base provides depth and definition. This depth is commonly used in the eye socket, to attenuate the side of the nose, to shallow cheeks, and to minimize the weight below the chin.
Makeup and lighting
Control the makeup lighting to a high level. Makeup can decrease its effectiveness due to incorrect stage lighting. Conversely, skilled lighting can greatly help makeup art. Close communication between the lighting director and the makeup artist is essential for the best effect.
Understanding the effects of light on makeup and various colors and pigments is important when designing a player's makeup. Here are some basic rules of light: no one has color until light is reflected from it; an object looks black when all light is absorbed; an object looks white when all light is reflected. If a certain ray is absorbed and the other is reflected, reflected light determines its color.
Light effect on makeup
- Pink tends to be gray in cold colors and intensify the warmth. Yellow becomes more orange.
- Pink skin flattering most makeup.
- The red ruins of the fire makeup. All but darker skin tones almost disappeared. The mild and moderate Rouge fades into the foundation, while the dark red rouges turn reddish brown. Yellow becomes orange, and the color of the cold shadow becomes gray and black.
- The yellow bastard is flattering for picking up pink and warm skin color in makeup.
- The yellow and orange colors intensify and the yellow color of the meat. They change the rouges more orange. Cold colors are gray.
- Green gray all the notes of meat and rouges are proportional to their intensity. Green will be intensified. Yellow and blue will be greener.
- The blue-green light lowers the intensity of the base color. One generally has to use very little rouge under this type of light.
- The blue washes the pale flesh tones, and will be gray in medium and deep meat colors, and all red.
- The gray-blue tones are gray and cause them to look more red or purple.
- Violet causes orange, fire, and red to become redder. Rouge looks more intense.
- Purple influences makeup like purple lighting, except red and orange will become more intense, and most blues will look purple.
Make up straight
Straight makeup is a makeup style that gives natural light, clean and healthy.
Skin
If the skin of a player is perfectly toned, makeup spreads smoothly and easily attaches. Dry skin or oily skin is handled before makeup application; if not, makeup looks stained or smudged due to absorption variations. Perpetrators with dry skin use a moisturizer every day and after their faces are cleaned after appearance. Perpetrators with oily skin use facial or astringent facial cleansers to remove oil and allow smooth application.
The skin has four basic tones: brown, bright, pink and olive. Individuals with bright, pink, and olive skin tones use olive, beige, or brown colors. Makeup artists choose the nuances that match the natural skin tone, but the bottom is one to a few deeper nuances. Players with pink or reddish skin use basic colors with cold tones. Character, theater size, and light intensity will determine the depth of the pitch of the foundation.
A thin layer of basic makeup is applied to the neck, ears, and face using a white rubber sponge or fingers. The heavy basic app looks old and creepy.
Rouge
Fair skin enhanced with soft shades of peach and pink, while the best brown skin accented with shades of coral. Moist rouge was applied before the powder; Dry rouge is used to accentuate the already powdered makeup.
Eyes
Eyes and eyebrows are the biggest communicative tool in an actor's arsenal. They are the most expressive feature on the face.
Eye shadow
Grease or a shadow stick is applied to the eyelid and mixed to the brow bone before the powder is applied; Dry eye shadow is used alone or to intensify and touch the color underneath. Dark eye shadows or oil deepen the eye hole, creating an effect like a skull. Brown and gray colors are best for individuals with fair skin. Individuals with brown skin use lighter shadows like toast, mushrooms or soft yolks.
Eye liner
Liquid eyeliner, cake eyeliner, or eyebrow pencil are used to accentuate and frame the eyes. There are two ways to coat the upper eyelids: owl eyes or almond eyes. Owl eyes are used to expand the eyes and involve the use of heavier lines in the center of the lid. Almond-shaped eyes are made by extending the outline outside the outer corner of the eye. The underline is created using the same tool used on the top cap. The line begins a quarter of an inch from the inner corner of the eye. This extra space is needed to open the eyes.
Eyelashes
Mascara is used to add extra attention to the eyes. The black eyelash mascara is the most popular and commonly used by women with bright and brown skin. Individuals and men who are very fair use brown mascara. The lower eyelashes are coated with mascara and to avoid the use of false eyelashes, the powder coating process and mascara are used to provide greater thickness.
Powder
A lot of powder is needed to reduce unwanted sparkle. If the makeup of a designer has a bit of powder, the oil of his skin will break rapidly, producing luster and possibly running. Once the powder is applied to the entire face, starting under and around the eyes, it is gently pressed for thirty seconds. The excess is brushed with a large soft brush or piece of cotton. Natural wet sponges or cotton wipes gently across the face to regulate makeup, to remove visible powders, and to remove masky feelings.
Translucent powder is used for bright skin because they do not change the original color from the base, below-rouge, or wet eye shadows. The brown skin is set with a color that is compatible with the base color. It is used slightly above the damp and moist eye shadows. After the powder is applied, dried eye shadows and dry rouge are added.
Lips
Although the eye is the most expressive feature of the face, the eyes and ears of the audience follow the mouth movements to understand the development of a drama. If a player's lips are attenuated or redundant, they will detract from the player and the performance. The general rule is: the bigger the mouth, the deeper the lipstick tone. However, actors should not appear "all mouths".
Fair skin using shades of lipstick like pink and coral. The brown skin is enhanced by coral and orange color. Red lipstick is provided for large theater and character depictions. Reddish or brown brown pencils are used to give lip definitions. Lipstick on men can look like a doll. Men use natural colored lipstick, lightly applied.
Training/Education
Because stage actors look farther than actors on screen, it's important that their makeup is more dramatic and professionally done. Many higher education institutions have drama departments in which all aspects of the theater are taught, including the art of theater makeup. Some independent institutions also provide classes in theater makeup, and online courses are also available. Through training, the makeup artist learns important techniques such as hand-eye coordination, the ability to draw straight lines and consistent shapes, creativity, good care and personal hygiene habits, etc. Many makeup artists specializing in make-up plays build portfolios to show their clients and employers. Many of them work as freelance makeup artists or work for cosmetics brands in department stores.
See also
- Theater blood
References
Source of the article : Wikipedia
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